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Friday, June 29, 2012

News From Musical America Worldwide

June 29, 2012 Find us on Facebook

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In This Issue
Vivaldi Concerto Discovered in Dresden
Philly Orchestra Exhales
Dr Dee: Not Ready for Prime Time
Andrew Litton to Colorado Symphony
Opera Center Nearing the Finish Line
Eugenia Zukerman's Tanglewood Vlog
Is That A Music License I Hear?
A Month at the Phil
Latest Roster Changes
Also This Week on MusicalAmerica.com...
Thought of the Day
Anyone who has never made a mistake has never tried anything new.

--Albert Einstein

 Quote of the Week

Be who you are and be that well.
 
--Saint Francis de Sales

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Vivaldi Concerto Discovered in Dresden 

Vivaldi_6-29-12

A violin concerto attributed to Vivaldi has been unearthed at the Dresden State Library by Icelandic scholar Johannes Agustsson.  According to Vivaldi expert Michael Talbot, the work was composed around 1732 or shortly thereafter and represents a major breakthrough in our knowledge of Vivaldi's late style.

 

"Themes, phrase-structure, form, style and violinist writing: all conform to the Vivaldian norm," he said. "The solo part is exceptionally difficult, even for Vivaldi, making copious use of the ultra-high register in the solo part."

 

Talbot believes the long and virtuosic piece in A major was written for Vivaldi's friend and pupil Johann Georg Pisendel, who studied in Venice in 1716-17 and served as concert master at Dresden's Hofkapelle starting in 1729.

 

"Ordinary Vivaldi concertos turn up fairly often, such as the Gran Mogol  Flute Concerto [did] recently," said Talbot.  "But the unusual character of this particular piece -- its late period, its considerable length and the extreme virtuosity its performance requires -- sets it apart from the rest."

 

MA.com subscribers read the full story

 

Philly Orchestra Exhales

Gavel_6-29-12

There is still much work to be done, but the Philadelphia Orchestra appears to be on its way back to fiscal health. Yesterday, U.S. Bankruptcy Court Judge Eric L. Frank approved its reorganization plan, enabling the orchestra to emerge from the Chapter 11 bankruptcy filing that began over 14 months ago and incurred some $10 million in court costs -- about three times the anticipated amount.

 

In the end, the orchestra will pay just $5.49 million on the more than $100 million in claims, debts, and liabilities it carries.

 

At the time of the initial filing, the musicians accused the administration of using the bankruptcy as an escape route from what it owed them and their pension plan, especially since the endowment had sufficient funds to make up the difference.

 

MA.com subscribers read the full story

 

Dr Dee: Not Ready for Prime Time 

DamonAlbarn_6-29-12

LONDON -- English National Opera is bringing its season to a close with an oddity. Dr Dee, a joint collaboration between musician Damon Albarn and director Rufus Norris, tells the story of John Dee, a 16th-century mathematician, astrologer, courtier, and spy. It got its London premiere on June 25, though the press was not allowed in until the second night, June 26.

 

Albarn is principally known through his work with the pop groups Blur and Gorillaz, but his wish to extend musically led to Monkey: Journey to the West,  a commission from the first Manchester International Festival five years ago that  subsequently played elsewhere.

 

Dr Dee is given the full production treatment by ENO, and for Albarn's fans there is no lack of visual spectacle. Musically, too, some of the effects Albarn produces through his choice of instruments -- orchestra plus eight-piece onstage band with recorders, drums, viol, kora, and hurdy-gurdy -- are appealing.  But the story is not well told and there are no surtitles and little chance of catching many of the words from the amplified singers. His songs, which punctuate the work, are no more than inoffensive, and it feels that much of the stage business serves to compensate for a paucity of musical invention.

 


Andrew Litton to Colorado Symphony  

AndrewLitton_6-29-12

The Colorado Symphony, which last fall was teetering on the brink as two thirds of its trustees resigned in protest to musicians' resistance to pay cuts, has a new artistic advisor in Andrew Litton, starting in September for three years. 

 

Although he will conduct but two programs this coming season, Litton is to oversee all things artistic for the orchestra. Scott O'Neil remains resident conductor; Duain Wolfe is the CSO chorus director. Litton will continue as music director of Norway's Bergen Philharmonic and as artistic director of the Minnesota Orchestra's Sommerfest. In Colorado he succeeds Jeffrey Kahane, who stepped down as music director four years ago.

 

Apparently the CSO in its new flexible format, by which symphonic repertoire is just one of a number of diverse programs and incarnations, feels it does not need a full-time music director.

 

MA.com subscribers read the full story

Opera Center Nearing the Finish Line

MarcScorca_6-29-12

NEW YORK -- When Opera America moved its offices from Washington, D.C. to Manhattan in 2005, part of the plan was to create a kind of nexus for the national opera community in NYC. "We wanted to get more involved in our members' artistic side," President Marc Scorca said Tuesday in an interview at OA's offices, "to be a catalyst for the creation, rehearsal, and distribution of new work, and to support career development." 

 

All of which he hopes to accomplish with a new Opera Center, now under construction on two floors of 330 Seventh Avenue on Manhattan's Lower West Side. Slated to open in September, the new, 25,000-square-foot space will house OA's offices, as well as a fully-equipped rehearsal facility designed specifically for the comfort and safety of singers (and hopefully those who hire them). There are a total of ten vocal studios, most of them with large windows and plenty of natural light; bathroom facilities; a kitchen for catering gatherings in the adjacent board/conference room; a canteen and performers' lounge; and two large audition halls, one of which is two stories high and can be used as a recital hall, complete with stage, rudimentary lighting, and 89 seats, all of them movable.  

 

Both of the larger rooms are equipped for audio and DVD recording, as is one of the larger studios, as well as webcasting to or from the Center.

 

MA.com subscribers read the full story

 

Eugenia Zukerman's Tanglewood Vlog 

 

Mark Volpe, Managing Director
Mark Volpe, Managing Director

 

Since his appointment in 1997 as Managing Director of the BSO, Mark Volpe has reaffirmed the BSO's standing as one of the world's greatest orchestras. Maintaining artistic standards, keeping financial equilibrium, and bringing the BSO's presence to a worldwide audience, Volpe is as enthusiastic as he is busy. "What makes Tanglewood unique is the gestalt of music and nature, but also the students," he says. "Teaching these talented TMC fellows, the orchestra remembers what it was like to be 20-something and to be so excited about the possibilities the future holds. Everyone is in a great mood  -- let's face it, being in the Berkshires in July is a little better than being in Boston in January, and you can go swimming after rehearsal. We're the only orchestra that employs life guards!"

 

Is That A Music License I Hear?
FTM Arts Law Team

 

To submit a question to FTM Arts Law write to LawAndDisorder@MusicalAmerica.com

 

Dear Law and Disorder,

 

Do we legally have to have a music license if we have bands performing in our Country Club at weddings, social events, etc.?

 
Read the full story

 

A Month at the Phil
Sedge 
From Why I Left Muncie by Sedgwick Clark

Gilbert's Austere Nielsen

 

Alan Gilbert's first major recording project since becoming music director of the New York Philharmonic is the symphonies and concertos of Denmark's foremost composer, Carl Nielsen (1865-1931), for Dacapo. The series commenced last year with the Second Symphony (The Four Temperaments), recorded live in concert. Last week was the Third, nicknamed Sinfonia espansiva. The two are set for release on the first CD in the fall.

 

Nielsen completed his Third in 1911, the same year as Stravinsky's Petrushka, Sibelius's Fourth Symphony, Schoenberg's Pierrot Lunaire, Bartók's Bluebeard's Castle, and Strauss's Der Rosenkavalier. Debussy was working on Book II of his Préludes and Ravel on Daphnis et Chloé. Three weeks after Nielsen finished his Third, Mahler died, leaving his Tenth Symphony unfinished.

 

Latest Roster Changes

RosterChangesMusical America is helping presenters keep up with its advertisers! Managers whose rosters appear in the 2012 edition of the Musical America Directory should write to listings@musicalamerica.com with the names of artists and attractions that have been either added or removed, and please be sure to indicate "added" or "removed."  

 

NEW THIS WEEK

Pfeiffer, Paulina, soprano, added, Hazard Chase

Weiss, Orion, piano, added, Melvin Kaplan, Inc.

 


Also This Week on MusicalAmerica.com...

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Sign up for a FREE TRIAL and you can read these stories too!

 

Already a subscriber? Just click on the links below.

 

Indianapolis Opera Searches for New Model
National Symphony Orch Adds Oman to Tour

Competitions: Deadlines Coming + Recent Wins
OC Register May Bring Back Music Coverage

Black Market for Bayreuth Festival Sets a Record 

A New Kind of Opera Touring

Scotland's Arts Groups Get an Apology 

Falling Down the Rabbit Hole 

BSO Exec Mark Volpe Keeps the Ship Afloat

Richard Adler Dies at 90

 

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Musical America Worldwide | PO Box 1330 | East Windsor | NJ | 08520

Americana Music Association Announces Festival Performers

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Americana Music Festival & Conference September 12-15 in Nashville 
 
Early List of Performing Artists Include: Billy Joe Shaver, Punch Brothers, Brandi Carlile, Richard Thompson, Sara Watkins,
The Deep Dark Woods, Shovels & Rope, John Hiatt, Eilen Jewell, Rodney Crowell, honeyhoney and John Fullbright
 
(Nashville, Tenn.) June 29, 2012 Americana heavyweights, innovators, icons and up and comers will showcase in Nashville venues during the 13th annual Americana Music Festival & Conference, presented by Nissan, September 12 through September 15. Highlights in this first round of announcements include: Billy Joe Shaver, Punch Brothers, Brandi Carlile, Richard Thompson, Sara Watkins, The Deep Dark Woods, Shovels & Rope, John Hiatt, Eilen Jewell, Rodney Crowell, honeyhoney, and John Fullbright.  (For a list of artists confirmed as of today see below). Additional artists and surprising new events for the festival will be announced in the near future.

Additionally, the conference will kickoff at the Sheraton Nashville Downtown Hotel on Wednesday September 12 with a series of panels and workshops and the Keynote Interview with Bonnie Raitt. The conference is designed to educate, discuss, advance and inspire everyone interested in the genre from industry professionals to artists to newcomers.
 
Live music will take center stage opening night with the 11th Annual Americana Honors and Awards ceremony at the historic Ryman Auditorium.  This year’s program, described by Paste Magazine as “the best awards show in the world,” will honor Bonnie Raitt, Booker T. Jones, Richard Thompson and many more.
 
Each evening from September 12-15, the Americana Music Association produces the festival portion of the event, which brings more than 100 acts to clubs throughout Music City. The festival is open to conference registrants, who get priority admission, and to the general public. Last year more than 12,000 fans enjoyed the festival’s musical events.
 
Showcase artists confirmed to perform as of June 29:
American Aquarium – Amy Helm – Andrew Combs  - Angel Snow - Anthony da Costa – Bearfoot – Belle Starr  - Bill Kirchen – Billy Joe Shaver – Black Lillies – Blue Highway – Blue Mountain – BoDeans – Brandi Carlile – Brennen Leigh – Buddy Miller – Buxton – Caitlin Harnett – Chastity Brown – Corb Lund – Cory Branan – Darrell Scott – The Deep Dark Woods – Della Mae – Derek Hoke – The Dunwells – Eilen Jewell – Felicity Urquhart – Fort Frances – Gretchen Peters – Holy Ghost Tent Revival – honeyhoney – Humming House -  Immigrant Union – Jason Boland & The Stragglers – Jill Andrews – Jim Lauderdale – Jimbo Mathus & The Tri-State Coalition – John Fullbright – John Hiatt – Jordie Lane – Julie Lee – Kasey Anderson and the Honkies – Kasey Chambers & Shane Nicholson – Kevin Gordon – Lera Lynn – Lydia Loveless – Mandolin Orange – Mary Gauthier – The Mastersons – Max Gomez – McCrary Sisters – Mindy Smith – Nicki Bluhm & The Gamblers – Phoebe Hunt – Punch Brothers – Reckless Kelly – Richard Thompson – Robert Ellis – Rodney Crowell – Sallie Ford & The Sound Outside – Sara Watkins – Shovels & Rope – Sons of Bill – Sons of Fathers – Star and Micey – Starr Anna – Steep Canyon Rangers – Steve Forbert – Teresa Williams and Larry Campbell - Tift Merritt – Turnpike Troubadours – Two Gallants – Wheeler Brothers – Whitehorse – The Wood Brothers – The World Famous Headliners
 
Music industry professionals and those interested in the business of great music can purchase  Festival and Conference Registrations at the reduced rate of $350 for Americana Music Association members and $450 for non-members. Registrants receive entrance to all sanctioned daytime conference music, panels and parties, plus priority access to all evening showcase performances.  The registration also includes a ticket to the critically acclaimed 11th annual Americana Honors & Awards Wednesday, September 12 at the Ryman Auditorium.  Individual tickets to the Honors & Awards show are only available with a full Festival & Conference registration at this time. Festival wristbands are available online at  www.americanamusic.org.

About the Americana Music Association -
The Americana Music Association is a professional non-profit trade organization whose mission is to promote awareness, provide a forum, and advocate for the creative and economic vitality of the Americana music genre. The Association produces events throughout the year including the annual Americana Music Festival and Conference, which will take place September 12-15, 2012 in Nashville, TN.  Americana Music Festival and Conference  Early Bird Registrations rates are available through the store at  americanamusic.org.
 
Follow us on   twitter  and  Pinterest, like us on  Facebook 
and be part of what the NY Times calls 
"the coolest music scene today."

###
 
 

 




Americana Music Association | P.O. Box 128077 | Nashville, TN 37212 | 615-386-6936 www.americanamusic.org


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Buddy Guy, Dom Flemons, Hayes Carll, Delta Rae, and more

Maynard and the Musties [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3e9nGoXrHkxJLATpLIjZl7P_Kr28ZIb8LHaROTwJDveZedgNT6S9Sgb3HWoEcoNcFndI4NewVzjZeOAVhzNt1VDXHDBHs3NdqXyvqLuThat6HKXCUgmwaOzpV3ygYFePk=]
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No Depression logo [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3cCPspm9P2SHTbdOd38JC6VoHfNbrPBL8-7tBxGIHOsMySO4OZrvq07xCXJ0AE0sRrX4c_QcvXWC-mGQEabEqPY_OJ4YzgfyhzbBX1Y8devQ==]
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Dar Williams and Ray Wylie Hubbard, by Amos Perrine [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo01jeeKj9k-R50MdvPD-oya4N7JRjft6rxMDzXOCDrbsufVbvUuHCw1J32X9EGX6BRP_PUzV1srdD0qqz84y_CxyFPIa7HJi5E2gX6snnZkBXFjHcB9IXUv-Ew3RCculFSHlsX555djk1-KWOEOd4w5gaCnxUw9jTkRq2q_v8LH7L7sAbrv-TDN9RRwt0tbxxs=]
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Notes from ND

There's a book out there titled Scuse Me While I Kiss This Guy, all about the oft-misunderstood
lyrics of famous rock songs. But rock and roll is hardly the only genre with lyrics
that get mumbled and confused by the singers. What's your favorite line that sounds
like it's saying something else? ("There's a bathroom on the right", anyone?) Share
your thoughts in this new forum [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2FpoMYqWPtqky6on3mUX5r4u5_E7lF_rZDjPSp6MhbCJ8S9QWL8En2AZf3UC7zL2vKCSrwyK5ZtcfdMdRO6mPsSiV4svq9sGioYiM4_GK-c_VLHFUGPuSFCwP2j41f0fqwQziBT6Yu2hs1T5MaOGGmiOqrLLKa6saUMt2ywNeqms-gAzsxFUjm]
or simply keep reading for some highlights from the past week...
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Listen up - It's Buddy Guy
by Donald Gibson
"It's kind of scary," says Buddy Guy, his voice quivering with ominous unease. "Blues
music is like an endangered species almost. "The few of us that's still left," he
adds, "they don't play our music for some reason much anymore, hardly any." Guy,
75, knows of which he speaks. In a narrative steeped with down-home candor reflective
of his Louisiana roots, his new autobiography, When I Left Home: My Story, co-written...
More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3x_onx9uOaz0HD9UsMPGQkbvkY6ztTSz3wFkoPUGpJmNQ9WzWOz3j0bxokj4ju5bvcYYMq9jlJ3txCmYsAe99dcMnRpRx7YvTjDGMYKRTO1MaaT1-7BpKTys_wNPdH-lwC1PHrM0ZuO8E5-5IpegvXX8_cJWdzfhgzAvhBGDZq5lKTDg-SUa5p]
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Interview with Dom Flemons
by Turnstyled, Junkpiled

Dom Flemons is a character. A refreshing burst of in-your-face, Old-Time tradition,
his presence in today's music is essential. Shaped by a diverse background and never-ending,
intensive journey through the landscape of American music, he is a modern-day reminder
of the true artistry that can be achieved by interpretation and performance. Best
known... More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2RkzFeqlCYyagRQ2ugPmR6WPY5UK4j8_PZbmGb-yyldUEa8_XGaTbwaAt6QipDVYQv88qMdQNdpIVmeUKPZajCWjrk24DFc2IkdMYS3Ku6uPsxbJGajTz5SgXzz0DQtwpyQ6Y8OZE75fKS6Tov7dayT93Bv6tEzG0FIM9zKHlReMcn89fiWfRdu2Ho65IlHXo=]
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Hayes Carll on the Americana road, small stage storytelling and life after Lost
Highway
by Arden Ward

Hayes Carll's trajectory has followed a rough and tumble country road. If you ran
across the troubadour half a decade ago, chances are it was in the form of one of
his poetic anthems on one of Austin's signature stages. In recent years, Carll's
towering figure has left the small listening rooms behind to grace bigger stages,
including Bonnaroo and Austin City Limits... More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2PWcgywVdiw_dqMTExJ-X1bCc2EpDWZHYwKADr-0qhkckly8Wo4KUbV9bPVqDsGOqquk-V5olIXBu5g0v73kvYZV-VhxSuCdj6LZDg9CJ4H2Cwcayv_SrQu9KVeWBN0KGVZoQK92pGHkdf-e5aa_1xGwO-dfiia_lL8cT0XprM74Zq_zX42eBeeUhVlV6Z45rTQP0JsMhmtIEZ6PQmBmsV]
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Review of Delta Rae - 'Carry the Fire'
by Twang Nation

Pop music has gotten a bad rap. Pop has gone from being "popular" to engineered
mass appeal and style over all especially substance blotting out all pretension
of song-craft or, HA! , longevity. Great songs by such luminaries as Elton John
and Fleetwood Mac in the 70s and Squeeze and XTC in the 80s, took the music around
them and refined it into a... More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo1wajDmYI4JaNx5GDaE5E6UbGTLyQkxXKhpkUiT4yXjNMaIaqnGNtNkLvm1puZqvQjjxpXTv_bx5e0Ny7MOGBB4W74BRqu_Nec32MxZawsoQXLTU-ewHicyC-c5lI22TeFQGjQbkc6Tdu7aAHkBf5W3x3mDCYZsQFm16ezu5v7pRxxJH69PdzWfK72LpM0Pxdc=]
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From the Archives
Issue #74: Mar-Apr 2008 [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3j7loEnNSt1wmyoA_jTKnqPY7R-RAq_WsmX5oIY1EXSSlq24782PXkop1DRIroD79ZWUxpLcpRfFpokewcmcu9hXHQ-ogwMoNr634fwmB3GcF44tZkBHVLipBO8tGQxrE=]
Kathleen Edwards - Singing in the wires
by Lloyd Sachs

Having had her whole life to draw upon for her much-buzzed-about 2003 debut Failer,
with enough raw stuff left over for her 2005 follow-up Back To Me, Kathleen Edwards
faced a familiar problem for a songwriter after she finished touring in support
of the latter. "I had no new material," she said, "and no ideas." Did she panic?
No more than her hockey heroes up in Canada do when they're down a goal or two.
During a lengthy hiatus, in fact, the Ottawa native did her best to avoid writing.
She concentrated on singing, contributing alluring backup vocals to... More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2bnX-aFwn8U1OoVj45-8OraAj_B0ybNthdC6ngxne6Yo9JhVDNKLOlFlSDVWdXNIYySZ493pXoYDTdYZA7lCz3018pjfbnKSspSXB0e_fvttlaH2SSeZwR23luIInQBBPk6aBKeyGBk_SAmBh0PuqJeiyHAiM00aM=]
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Some of Our Favorites

Video of Merle Haggard - "Holding Things Together" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2YOLXU91WMP9_hXjJ1ejAxQNkrobyh6EYwtXeEkDhs7pkBhwXAxFRNmAO5nqXJTYdU6Ixc6a_x7UsncoLaVke6e1LuKyQWbRAXeDM5lvUVwiD-drqRTC9E1k-7ebrgxT_WXDGs8x2gMCpnHlGqT9Tf]

Waylon Jennings: Sex, drugs, and rockabilly Part 2 [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo24ZzPMbyhssD8tcZWqIjjs_ivI8Nbr4txaAHCfnQaPKFRvb6VLwvUudAFz_dQ4rBQ_hhdZReuC4jzvTrBn89uBn9HQuf2r9y4QFEOunwqCCeblL6Qh8fySTdLQCQOUupZDDf-hJ0IV6--rEkNx1WxCXfZq-CtZbyRc0eFUZkMIP3Xc7H8cWx0ATmreHqZSXoY=]

West Texas, a road map, and Steve Earle [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3NIEX8nUlcmme_qx-2dS3WNYwi5DcqbRFxKU7HbZTY7lOKnwx0hkjpjl5ziPSHRh3__hqJbf1XjEjVutFX45Z5Jr9tjfLWzJqZcYzCEmgcj4ZKcHXYNVrDttAeLPs5R-ZqeriYSYHxFHSXY5chKzRfV0RErQV25qkzo-21pat8kb561iqE5cGx]

Video of Blaze Foley & Jon Hogan - "Can't Always Cry" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3VVzpjnTbGnLNjkjnoeGC_PW--II5N1UZavdS5VYlvFfvwVJ7dqe9PZ26jLVWpC-ePAE67p-VI9oIbWFBaMFgB9aFeRGy8cbQjAB1rQ8J2m6bExP5xoPUiNefT-6PRhtkRIYpRjjqA5d7o_EsGKF_UvIyGmkC4kswNc--XYSmIlPh4CmRaYmGTN-9G8Ea-wnQ=]

Garland Jeffries rocks Houston hard [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3VVzpjnTbGnLNjkjnoeGC_PW--II5N1UZavdS5VYlvFfvwVJ7dqe9PZ26jLVWpC-ePAE67p-VI9oIbWFBaMFgB9aFeRGy8cbQjAB1rQ8J2m6bExP5xoPUiNefT-6PRhtkRIYpRjjqA5d7o_EsGKF_UvIyGmkC4kswNc--XYSmIlPh4CmRaYmGTN-9G8Ea-wnQ=]

Americana Boogie with Jerry Douglas, Elizabeth Cook, and more [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo0ZEhNbGOkUR8c55XNfSlvlhVye8j418OgRH9d2YB11pM5b4hU1CPYrzTHoW7YPibHNndwzbAIE-_TDNTfzMZyss5J2zZ9aGW56KLkNPzK9KHY7gjz8sxtbtXcDcPnetqvjQwryxWH2Hgwgn9swRd005IZ7wIPWwt46Bck3W189BKQsGtxI8IQFkpnhff46UGlMlWC20K3AjKVixJdQETMs]

Mark Fosson on 'Digging in the Dust' [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3CNwm_UyjOTchsrleMFD3EJ034kG-EhlbkHyeODt2wiTpFMrOjpN_zoCjpjszHGRs8dpY7aXmpPWaLocxoifBP2fG28bYPSREKjKOB7smZSNTR04DV9I-YN6yVuiQcD_2pN6dwPSq9Ttn8wKViaXsZtvkzlekDEmTZbbza4p_mblK4TiuCMQKlK-ZXYynaXH0=]

Video of Ruthie Foster - "The Titanic" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3ygo-TNPV31XLj4MLF-tkjVybIANs-FZPV3zyGNMBcvBUHO1TUAy2QJmancC26gy1YseNcJ3IeqmR0y_dnGYI_ZF3VbYM9AFhabp4BvzE04yjBlQvV9iTlG5rIhPOKQx9lxDVAfE15BwsMHuy-TFv-olNdlM4oxuI=]

Michael Rank - Acoustic AND early [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo14AMkoTjdcnId0-RY5qtLYGpqVepe7CYB_Jgkh_sZBbXTz-2dmOqF6RC-CDTzJ7ql1iGIhVYmSczIisTw-jNg1g8KUeEkhanGTSr4T9GuVP_7t4bcYiVaKOnKLTfzVWmzz_WgYVmhfgqtsGWE3Q_P3ARzeLgLo5zEyxuaGVRT6jdLcJJU3vimY]

Video of Sister Sparrow & the Dirty Birds - "Too Much" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2A1139BVy5Sy5sT8DwTqT_vSpCmtes8j0Wo_UmE3lB8oHKja1cUjkYXXHY3V-RIa1LGrFHu6ToKCsf--tQsn2VTglwwwrGOm3YfFsARnHpbW0zUnru0t98LkgfjXsXmMqogd5XZcOXsharYVpE6izI1RsJSieiDeTt22rMkBQJDjQl8QHcfy0x]

Bruce Springsteen & the E Street Band live in England [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3fOrfs9YXdYjOE4RlrVBohE8xkce4sJ624vMUe4xdSQzQDXH6GArYDiG-eK7apPJZFcl1cFolR2p23xcHtjmHzsIeHOBsnLyNPFJMLuDPCJgSr2l7UylhdjGpGKcmCdOJkd0aIg92mBSG8Xr5zA7ks1RXWdZrQ7Cpaqbv5vn0cgHNN2zPdSr7A7j3B6At7l2i52ZCwALsxN03qJXtR6YxsD9j9LZkM5tQ=]

John Fogerty at Telluride Bluegrass [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo1VFQIVR-aCzJ6GxRl8XEf2Bq5ft4xLDULZTLqJzLt1BdJFssTM1Z6GujllN-GwpTNZTo6XseD2z3pKy4c7uUmT6GnlrxIVM3HCny8F9CMxl6PPxjTqlx_xfE_xxA1hOEDgweiIivDUqe9GxN-J5xLLjV9ckSnIx5u-Nb4tDCkFaYtEJUyx3451ooFN24noZ_Y=]

Video of Rosanne Cash - "Seven Year Ache" live from Zone C [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo3pc5Tswyg3o5MJuO3y6AOvafO9rHai3k21B-fbfQ9vNb6dTltsRv9XvugGyi3LWXHukMmX4PuocEs3biBFeXktumdUsPXvYQWW6oRHvOACgMK0xk_lQWG9YTEtwHGV8BQq7CpGeR9_1aL08GEOz9BHc7tdG2hD4g6KDN6g88apdDYPBYRRw4W1]

Terrell's Tuneup: A clever, subversive subtext [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo32tuiaAyQJD-TJOowThsBXRoAVZ8Rdm1qJvPUvQ4TmEbkz1-tczQMv4RS5atGfGdhrRlvUfBgLNODW6qGgvhR8QPChvzNZiwkNuqvIABx9HEZa9eOJ7cR-otJDvWRtALA_3ywtL6qx0Z_X1tY3AR2LmRmvw2PU0kuUaI2xEYp2OkPYiKn08uHmW-9OjfJKJqg=]

Bayou music, country and Cajun-country revival: Jesse Lege tells the story [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo1ObrFNCuj_VIkk7zScCfTbeNyrWz14XkhotZjrbMz0_oXxEl82b1HMqaecwPNn5_nXtdJscELayl7oCzupcRPvItNGkjrbM-LIy_J1MqMI2pp4t-naW8K6s0D9r2DthJkw1bgQjwwEJw-PsrbtIDFH8_W-EAQ-CCwpVRNPyp-nhYr9QfuseZA9RijtUIPsaeoNWWf_-lF6jnSQFAhsjll3WDLXmtSEy4k=]

Video of Rich Robinson - "Station Man" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo0hGDu7C0wLyYGRSNQh_a0s40NXZvQq_prwp3k2Mu3vtMf9SSiCR_qRFNOmjQ1RkP2UTM9P5RWtZ96UbprvMQgQDW5FyBjPCW1smOPxOJyO2lUxRE6AKcRZ5zYWIeu2q7_jtD8uQu43-A_zfMkNnCdvm1TuoQrTbPE=]

Freight Train Boogie podcast with Rhett Miller, Marley's Ghost, and more [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2F4HWpm2DRePwSST8Tqk2jRt2h3WLp_7GuMwY7Juk2hD1x96ObCpKg42-XQpgqTCx4XmgYsrqIkGo2XQaossBiHjqYs48mCKdXq-qIFFSomjicfvmNxdxxFQiLIIsCpATi-DAUk__B-he-LiKP7uqTO6gQM5RunyHchYJntqWPNt0N5yeUmHT6aZJHsBAzQlDnLG9kDQPpEuitnp81vvg7271JqKp4nMI=]

Americana Music Show with Cornell Hurd [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2fECj0Y6tKcP47BK9nCflzIDND92LahBW29Efv9m_ZriSC1TL6HNNrW-WFbNnx0Zv9HxDtvyC0LLZHSOnaRSs9kf9ylOvRbEj9YNolGx_4Q391C93EUVMhJZMjvmHZjw4RYXpBcnTGraPDCH-ETtXsaBDvDhSAdLC6lSwE1389_1n6hTEoxZio]

Mariel Vandersteel - Instrumentally speaking [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo2yBOxp3Lt71yl97v-lJwznxhhsKI3NPdpgtEuBeNBz_rPPbGOFnECumxBAUy13w_kpqOcza3nqYe_j-P3-S3e3obDe0lf8Zr8vtFV--YhF6kRNNcxJ3R4E2Oc52qnpeeK754WVDEj1TiyjQnPDcFAgNRnXyG3xb9IZQ7FUFG3hoP_CrGNdBA9w8k35X3mZHUQ=]

Video of Aimee Mann - "Labrador" [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo34uoBA4xHvwu5VCGwALNVItntlh37aPL3yOTU6Hb-2uB29xKilR3MLxcMv0Gj4ZEBIcBN9vJH91q25yqsrC8SxISt9LPmsUF5hRtD9Sg5HQNfssyy3Evi9iuCdM-vZt3H0uN4EKYlEsMT8kqK5sWDBIWobk98H4A4qdG9GiuFqi6j2uviJ6zVh4D5bALLs1DQjc77WiO0JtA==]
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Davidson Hart Kingsbery [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo1e4pF8yQeHJ-n0Ql36DmwF13jUiqok9gaDi2ZxATRa1CQjGOFxZHxh3XARP5ebc9riw_JxL-DkN-ZDeeJ69rDt5_yEm2eLAwsK0HxNwomhmnc2af_6OycYgnn0YIkgnoh2XUjrMwTeJg==]
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Sam Bush -

King of

Telluride Bluegrass

by Mando Lines

They call Sam Bush the King of Telluride Bluegrass. I thought it was because he's
played all but one of the festivals (this year that means 38 of 39), he's one of
the greatest mandolin players of all time, and because he collaborates with just
about everybody who plays the Town Park stage. On Saturday night, Pastor Mustard
had a different explanation... More [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo0Cyhhc04JXDfF2_5_lmIeggadPrKaYKaogwdhPAV8xQB3k7YtYpZcjdet0sWDaYrQe4lIE81eBfHmjl0djW31Qa651iE5zeIkPtl8DvCeLsOvLEF47DZ7OeuBHhZeSb6q_UZeCuBeux8na2ijAboEFyUnN2phwDIk0a9fNLkq5gQ==]
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Glen Hansard [http://r20.rs6.net/tn.jsp?e=001ACC5kCdvvo1-ZHwoWOlSWoGEpELlO4W81y64qN2I8EnjDjSJo2Z6TdDrqFaC99xTt_4h-EkqgI6a5tIQnrjbg-_Ddngoxm4jLhNvSKa_j4OWfON3-GSl5fazOlXBb2BSvAek6V-IvOvS9vUCY9qLv3JfyU9YchnX]
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